Tradition

Rajasthan is the land where heroism and chivalry impersonate in the form of Rajput warriors and their brave queens who had the courage to sacrifice themselves rather than falling into the hands of the invaders. Rajasthan is not only known for its battles and valor stories but also for its beautiful architecture, sand dunes, camels, folk art, folk dance forms and exotic cuisine.

bhawai-folk-dance-rajasthanThe one which we are going to talk about is Rajasthan’s exquisite folk dance forms which are quite famous pan-India and have gained international recognition also. Tourists from various cities of India as well as from overseas come down to Rajasthan to sway with the mesmerizing dance forms accompanying vernacular vocals and music.
The dances of Rajasthan are a manifestation of a rich cultural enigma of the proud history of the state. Enlisted below are some of the major dance forms for which Rajasthan is peculiarly known for:

Bhavai Dance:

The male musician playing the background music and beautifully adorned Bhavai artists dancing on melodious beats is what a usual sight of this dance form is. An ear-pleasing Rajasthani folk song is sung adding to the beauty of this dance. Many instruments like pakhwaja, dholak, jhanjhar, sarangi, and harmonium are also played which gives the performance the added charisma.

Chakri Dance:

Clothes and music are the main attractions as well as the main elements of this dance form. The clothes are so worn that when the dancers perform it looks like a circular thing is dancing, justifying the name of the dance.
As music being an essential part of this dance that’s why the Chakri Dancers are accompanied by a group of adroit traditional singers who sing as the women start the dance. Dholak and Nagara are the main instruments used in the Chakri Dance.

Chari Dance:

Chari dance is one of the most popular folk dances in Rajasthan, performed by women of Gujjar community of Kishangarh. This dance depicts the art of collecting water in a chari (earthen pot) by these women in their daily routine.
Dressed traditionally in colorful Rajasthani dresses, Gujjar Women perform the Chari dance on the beats of Rajasthani instruments like dhol, dholak, nagada etc which becomes one of the reasons for the attraction towards this dance. The dancers wear big nose rings and headgears made of khol (define) of coconut.

Gawri Dance:

Gawari dance of Rajasthan is a tribal dance of the famous Bhil tribe. They move from places to places to perform this dance which is a type of a dramatical dance. Among the main characters of Gawari dance are Rai Buriya Shiva, his two ‘Rais’, and ‘Katkuria’, the comic handyman. Between the enactments of various episodes, the entire troupe dances around a central spot consecrated to a deity.

Ghumar Dance:

Often performed exclusively for ladies gathering, Ghumar is particularly a women’s dance. It was initially developed by the Bhil tribal community of Rajasthan but later adopted by various others as well.Known for its enthusiastic and traditional touch; Ghumar has not only build its name in India but also has gained international recognition and applaud.
This spectacular folk dance has derived its name from ‘ghoomna’ which means circling. Fascination starts when colors of the flowing ‘ghaghara’ (the long skirts) of the women dancers start to flow. Filled with oodles of grace, the skirt flair sways while the women twirl in circles, their faces covered with a veil.

Kalbelia Dance:

This dance form derives its name from the tribe “Kalbelia” of Rajasthan. The dance is also performed by this tribe mainly. The popularity of this dance is so much that it has been recognized worldwide and is now in UNESCO’s representative list of the Intangible Cultural Heritage of Humanity since the year 2010. In Kalbelia dance, males play various traditional instruments and females perform the dance. The main traditional instruments used are the “Poongi” also called “Been”. Other than these two, Dufli, Morchang, Dholak, Khanjari, and Khuralio are also used.

Kathputli Dance:

Bright colored beautiful clothes, sharp features, squeaking voices and quirky moves on the nimble fingers of the puppeteer is what a “Kathputli” is. A wooden structure deriving its name from two different words of Hindi- ‘Kath’ meaning wood and ‘Putli’ meaning doll caters a large audience who love to see them dance.
Kathputli dance is one of the major attractions of the Rajasthani culture. It’s believed that “Putli Bhats” discovered this art form to entertain people in exchange for cash. The Maharajas of Rajasthan are known to have a great affinity towards this dance form and hence it flourished in those times.
Embellished with jewelry and other accessories, these puppets are attached to strings. Generally made out of mango wood, kathputlis are stuffed with cotton and have ravishing make-up especially having large elongated eyes. Kathputli dance revolves around a story.

Terah Taali Dance:

Terah Taali is a dance form which is performed by skilled artists; these are the Kamada Tribes who are traditional snake charmers. This intricate dance form comprises of tying thirteen little brass discs known as “Manjeeras” to various parts of their bodies which they strike with the ones they hold in their hands. This creates a rhythm on which the dancers perform.
Terah Taali is one of the most complex as well as the eye-pleasing folk dance of Rajasthan. Often swords in the mouths and pot on the heads are also balanced to create more magnificence in the dance form.

Rajasthan has different hues of its culture, a fascinating facet of which is its energetic and graceful dance forms. Various communities and their versatile dance forms depicting romance, valor, masculinity as well as sophistication leave the onlooker mesmerized. Every dance form is a unique blend of a specific tribe or religion and is different with respect to its structure, style, and art form that can be seen in their costumes, pattern of dancing, make-up, jewelry and musical instruments. The Rajasthani vibrancy and splendid grandeur is an adjunct to some of the most priceless folk dance forms.

Life Style

कोटा में बनने वाली सिल्क और कॉटन की साड़ियाँ जिनकी खासियत है चौकड़ीनुमा डिज़ाईन, वजन में बेहद हलकी और जिनकी बनावट बेहद बारीक होती है, समूचे भारत में कोटा डोरिया के नाम से प्रसिद्द हैं | शुरूआती दौर में इन साड़ियों को मसूरिया कहा जाता था क्योंकि ये मैसूर में बनती थीं | फिर मुग़ल सेना के सेनापति राव किशोर सिंह इन बुनकरों को कोटा के एक नगर में लेकर आ गए | सत्रहवीं शताब्दी के अंत और 18वीं शताब्दी की शुरुआत में सभी बुनकरों को कोटा में ही स्थापित कर दिया गया | तभी से इनके द्वारा बनाई हुई साड़ियाँ “कोटा-मसूरिया” के नाम से मशहूर होने लगीं |
पारम्परिक करघे पर ये साड़ियाँ ऐसे बनाई जाती हैं कि उनमें चौकड़ी(square) बनने लगती है जिनका आकार खाट के जैसा होता है | इन साड़ियों को बनाने वाले धागे पर प्याज का रस और चावल का पेस्ट लगाया जाता है जो कि धागे को बहुत मजबूत बना देता है |

ये साड़ियाँ कोटा में मसूरिया के नाम से और कोटा के बाहर कोटा डोरिया के नाम से ही जानी जाती हैं | डोरिया का अर्थ धागा होता है | अब इस कोटा डोरिया के कपड़े से कई चीज़ें बनने लगी हैं जैसे सलवार कमीज़, लैंप शेड्स, कुर्तियाँ,परदे आदि |

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Travel

dscf0926जंतर मंतर जयपुर (Jantar Mantar Jaipur)का एक इतिहासिक स्मारक है, राजस्थान में बहोत सी ऐतिहासिक धरोहर बनी है, जंतर मंतर का निर्माण राजपूत राजा सवाई जय सिंह ने किया था और इसका निर्माण कार्य 1738 CE में पूरा हुआ था. जंतर मंतर में दुनिया की सबसे बड़ी पत्थरो को दीवारघडी बनी हुई है और साथ ही यह यूनेस्को वर्ल्ड हेरिटेज साईट में भी शामिल है.
यह स्मारक जयपुर शहर के सिटी पैलेस और हवा महल के पास बना हुआ है. स्मारक में पीतल के यंत्र देखने लायक है और साथ ही इसके अंदर हिन्दू संस्कृत शब्दों की कलाकृतियाँ भी की गयी है. उन शब्दों का आप खुली आँखों से अवलोकन कर सकते हो. यह इतिहासिक स्मारक प्राचीन आर्किटेक्चरल कलाओ को दर्शाता है और उस समय की नयी-नयी संस्कृतीयो की जानकारी देता है और साथ ही 18 वी शताब्दी के लोगो की विचारधारा को दर्शाता है. बहोत से लोगो ने इसकी सुंदरता का अवलोकन भी किया है. स्मारक में तीन मुख्य खगोलीय तालमेल यंत्रणाये है – सीमा-चरमबिंदु स्थानिक यंत्रणा, भूमध्य यंत्रणा और सूर्यपथ यंत्रणा. कपाला यंत्रप्रकार दो तरह की यंत्रणाओ में काम करता है और सीधे एक यंत्रणा से दूसरी यंत्रणा से तालमेल कराने में सहायक है.

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इस ऐतिहासिक स्मारक को 19 वी शताब्दी में काफी क्षति पहोची. बाद में मेजर आर्थर गर्रेट ने बाद में इसकी मरम्मत करवाई थी. जयपुर जिले के असिस्टेंट स्टेट इंजीनियर के पद पर रहते हुए उन्होंने ये सब किया था.

1. जयपुर के जंतर मंतर की एक सामूहिक टिकट है, जिसे लेकर आप हवा महल, अम्बेर किला, नाहरगढ़ किला और अल्बर्ट हॉल म्यूजियम भी जा सकते है.
2. लेकिन जयपुर का जंतर मंतर ही सबसे विशाल माना जाता है.
3. जंतर मतलब “साधन” और मंतर मतलब “फॉर्मूला”, इसीलिये जंतर मंतर का अर्थ “गिनने का साधन है”.
4. जंतर मंतर महाराजा सवाई जय सिंह द्वारा बनाये पाँच अवलोकनों में से एक है जिनमे से एक दिल्ली में भी है.
5. जयपुर के जंतर मंतर की पूर्ण प्राकृतिक सुंदरता को देखने के लिये दोपहर का समय सबसे अच्छा है.
6. जंतर मंतर युनेस्को वर्ल्ड हेरिटेज साईट की सूचि में भी शामिल है.
7. जयपुर के जंतर मंतर में 14 आर्किटेक्चरल असटोनॉमिकल इंस्ट्रुमेंट है.
8. जयपुर का जंतर मंतर पुराने शहर में सिटी पैलेस और हवा महल के बीच बना हुआ है.
9. अधिक फीस देकर जयपुर के जंतर मंतर पर आप बहोत सी भाषाओ में ज्ञान एवम् सहायता भी ले सकते हो.
10. जयपुर के जंतर मंतर की तरह ही दिल्ली का जंतर मंतर बना हुआ है.

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Tradition

Peppy colors, sharp facial features, dexterous moves, squeaking voices in a typical traditional avatar performing in front of the excited audience and amusing them is what we call “KATHPUTLI” in India. It is basically a puppet which moves on the nimble fingers of the puppeteer.

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It is derived from the two different words of Hindi- “Kath” meaning wood and “Putli” meaning doll which has no life or a toy. It is one of the ancient and the most prominent arts of Rajasthan which is believed to exist in India since more than thousand years.

It may surprise many that it was Rajasthan’s amazing Kathputli only, which made India listed in one of the first countries who invented its traditional puppetry. Kathputli is a significant dance form of Rajasthan till date that no festival or fair is complete without this dance.

“Putli Bhats” were the very first people who discovered this art. They were the tribes of Rajasthan who traveled to different villages carrying their self- made puppets and entertaining the huge population in exchange of cash. It was the medium through which they earned their bread and butter. And soon this art gained popularity among the royal kingdoms of Rajasthan. And the “Bhat” community settled in different kingdoms and started entertaining the royal courts of Rajasthan. They received great honor and appreciation for their work from the Kings and Queens of these royal courts.

The Maharajas of Rajasthan were fond of art and entertainment as a result of which Kathputli dance flourished in those times. The specialty of this Kathputli dance was that they were just not the source of entertainment but also they taught society the social and moral education. These acts of puppetry portrayed major social issues like dowry system, women empowerment, unemployment, poverty, and hygiene. The best part was they just not portrayed the problems but also provided the solution to tackle these problems.

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Going back in the history of Kathputlis, the legendary which was produced by the first Bhat was based on the life and achievements of the Great King of Ujjain, Vikramaditya. This show involved the act of 32 puppets and it became so remarkable and glorious that it was carried by his descendants for hundreds of years. Much later a play based on Prithviraj Chauhan’s life and achievements was enacted; he himself expressed this wish and even gave money to do so.

The puppets are made of mango wood and stuffed with cotton. They are highly embellished then with colorful clothes and a good make-up. A very important feature of these puppets is their elongated and stylized eyes. Female puppets don’t have legs while the male puppets have legs or footwears and the movement of the body is free, thus a slight vibration of the puppeteer causes their hands, neck and shoulders to move. These puppets are generally one and half feet in height and are made in Sawai-Madhopur, Bari, and Udaipur. Bhats can make their own puppets.

String puppet making starts from cutting an 8-9 inch wooden stick which is then given a desired shape. The wood is oil painted in skin color and the delicate details of the face are done. A thin brush is used to make the eyes, lips and nose on the face. Small pipes are used to create the hands of the puppets which are further wrapped and stitched in a traditional cloth. Then the whole body is covered with bright colored beautiful clothes to give a perfect shape to the puppet. And then it is embellished with the jewelry and other accessories to give it a ravishing look. Finally, the strings are attached to its hands, back and shoulders to make it moveable. And the puppet is then perfectly ready for the dance. Though it is a traditional method of making puppet but it could be created with different materials like plastic, paper, socks, wood, clay, cardboard etc.

Making a wooden doll dance on one’s finger is definitely not a cup of everyone’s tea. It requires a lot of practice for the puppeteers to do so. A narrative song in the Kathputli act plays a crucial role because the whole puppet show is based on this song only and the puppeteer does not execute everything on his own. During this whole process of crafting the puppets making them act on the tunes of the song a puppeteer is accompanied by a woman usually his wife who plays a dholak (musical instrument) and sings the ballad on the stage. A special stage is designed by the puppeteer for the show which does not need to have a theme. Sometimes, some special sound effects are also created to make the act more emphasizing.

Apart from the string puppetry there are other forms of puppetry too, some of which are shadow puppetry, glove puppetry and rod puppetry which are performed in the different states of India.

The Rajasthan Puppetry is no doubt a marvelous piece of art and talent, but it saw its depriving state during the reign of the Mughal emperors. But it was the deep love of Bhats for puppetry that it survived the test of time as an outcome of which it is still famous. For Bhats, puppetry was no less than divinity which they worshiped because that was the core source of their livelihood. Some places and museums in India where you can find the best works of puppetry are Bhartiya Lok Kala Mandal (Udaipur), Chitrakala Parishad (Bangalore), Crafts Museum (New Delhi) and Jagmohan Palace (Mysore).

Information source:   http://www.kalaahut.com

 

Business

The Rajasthan Startup Fest 2016 is beginning tomorrow, November 5th 2016 at Jaipur. Rajasthan Startup Fest is the annual flagship startup event of the beautiful desert state of India. The Fest shall showcase the rapidly emerging startup ecosystem of Jaipur, with its high quality social infrastructure, startup friendly cost structure, presence of incubation centres and co-working hubs, angel networks and a state focused venture capital fund, in addition to its strategic proximity to the NCR region.

This fest is being organized by RIICO and Startup Oasis is a co-organizer. CIIE is the Knowledge Partner for the fest.

Dilnawaz Khan From Startup Oasis informed that the fest will be held at Jaipur Exhibition & Convention Center, Sitapura, Jaipur

where 200 plus startups, 50 plus angel and venture capital investors, 30 plus mentors, startup coaches and startup ecosystem players and 50 plus speakers will come together for two days of high energy interactions and exciting sessions.

For more details of the event you can visit www.rajasthanstartupfest.com and the detailed agenda can be found at http://rajasthanstartupfest.com/RSFschedule.pdf

One2all is the Outreach Partner for Rajasthan Startup Fest 2016.